Upcoming events
Wednesday, February 12, 6pm - 8pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O’Connor Hall
Nathan Lipps is the author of Built Around the Fire and the chapbook the Body as Passage. Born and raised along the rural coast of western Michigan, he currently lives in Ohio and works as an Assistant Professor at Central State University. His work has been published in the Best New Poets, Colorado Review, Cleaver, EcoTheo Review, North American Review, and elsewhere.
Leah Umansky is the author of three collections, including her most recent book, Of Tyrant (Word Works Books, 2024). She earned her MFA in Poetry at Sarah Lawrence College and has curated and hosted the COUPLET Reading Series in New York City since 2011. Her creative work has been featured in The American Poetry Review, The New York Times, Poem-a-Day from the Academy of American Poets, Poetry magazine, and elsewhere.
Ellery Bryan: "This is Your Signal".
Crystal Fisher, Alto Saxophone
April Lucas, Tenor Saxophone
Nicole Mushalla, Bari Saxophone
Pej Reitz, piano
For more events and information please visit the music departmentevents page
Emily Drummer: "In the Keeping"
Tuesday, February 18, 6pm - 8pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O’Connor Hall
Wendy Wimmer is the author ofEntry Level,a story collection that received the 2021 Autumn House Fiction Prize.The Washington Postcalled it one of the short story collections worth reading for Fall 2022, andPeoplemagazine called it “gleefully subversive.” The book was also named toKirkus Reviews’ Best Indie Short Fiction list for 2022 and was an honoree for the Society of Midland Authors 2023 Book Awards. Wimmer’s novel,The Doomscroller’s Companion, is forthcoming from the University of Wisconsin Press in Fall 2026. She lives in Wisconsin.
January 23—February 20| M-F 9-4 p.m.
Rosefsky Gallery, FA 259| Free Admission
The Cradle Will Rock:
Studio Show
A Play in Music by Marc Blitzstein
Directed by Bryan M. Vandevender
Music Directed by Tommy Iafrate
A storied piece of progressive activism, this musical was famously banned from being performed on its opening night, drivingthecomposer, cast, and audience to march up Manhattan to another theatre whereit was performed as a "concert" to evadethegovernment and union mandates against it. Taking a strong stand against capitalism, cronyism, andthede facto oligarchy enabled by an elite, power-hungry, wealthy class,TheCradleWillRockremains a rallying populist cry forthepeople today.
Performances:
Feb. 20 at 8pm
Feb. 21 at 8pm
Feb. 22 at 8pm
Feb. 23 at 2pm
Location:FA 192 / Studio A
The Department of Art and Design hosts its Ninth Annual 24-Hour Drawing Marathon from 10 a.m. Friday, February 21 to 10 a.m. Saturday, February22, in the Fine Arts Building, room 358. The event is free and open to the public. 13 student-artists will participate in creating large-scale charcoal drawings that capture an ornate still-life arrangementin the round. The artists will be at work for the duration of the marathon (with short breaks) and visitors may observe the artists throughout the 24-hour period.
Dates / times:10:00am, February 21 - 10:00am, February 22
Location:ñ Fine Arts Building, 358
Jason Bernagozzi: "Signal as Material"
🎭Grad Visions: A Night of Art, Expression & Free Food!🎨
📍Studio B (FA 196)
📅February 21
⏰6:00–8:00 PM
Calling allGrad Studentsin the School of the Arts! Whether you act, perform, read, present, play, or create—this is your space to share your work and connectacross Art History, Cinema, Creative Writing, Music, and Theatre.
No pressure, justgood vibes, great company, and FREE FOOD.🍕🎶🎬
Show up, share, or just hang out—Grad Visionsis all about bringing our creative community together. See you there!
If you would like to present, please- limited spots available!
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
2/21-2/23/25 - Last Thing/ Outsiders - Deborah Stratman, USA,2023, 50 min.
Last Things looks at evolution and extinction from the perspective of the rocksand minerals that came before humanity and will outlast us. With scientists andthinkers like Lynn Margulis and Marcia Bjørnerud as guides and quoting from theproto-Sci-fi texts of J.H. Rosny, Deborah Stratman offers a stunning array ofimages, from microscopic forms to vast landscapes, and seeks a picture ofevolution without humans at the center.
The Cradle Will Rock:
Studio Show
A Play in Music by Marc Blitzstein
Directed by Bryan M. Vandevender
Music Directed by Tommy Iafrate
A storied piece of progressive activism, this musical was famously banned from being performed on its opening night, drivingthecomposer, cast, and audience to march up Manhattan to another theatre whereit was performed as a "concert" to evadethegovernment and union mandates against it. Taking a strong stand against capitalism, cronyism, andthede facto oligarchy enabled by an elite, power-hungry, wealthy class,TheCradleWillRockremains a rallying populist cry forthepeople today.
Performances:
Feb. 20 at 8pm
Feb. 21 at 8pm
Feb. 22 at 8pm
Feb. 23 at 2pm
Location:FA 192 / Studio A
The Cradle Will Rock:
Studio Show
A Play in Music by Marc Blitzstein
Directed by Bryan M. Vandevender
Music Directed by Tommy Iafrate
A storied piece of progressive activism, this musical was famously banned from being performed on its opening night, drivingthecomposer, cast, and audience to march up Manhattan to another theatre whereit was performed as a "concert" to evadethegovernment and union mandates against it. Taking a strong stand against capitalism, cronyism, andthede facto oligarchy enabled by an elite, power-hungry, wealthy class,TheCradleWillRockremains a rallying populist cry forthepeople today.
Performances:
Feb. 20 at 8pm
Feb. 21 at 8pm
Feb. 22 at 8pm
Feb. 23 at 2pm
Location:FA 192 / Studio A
The Cradle Will Rock:
Studio Show
A Play in Music by Marc Blitzstein
Directed by Bryan M. Vandevender
Music Directed by Tommy Iafrate
A storied piece of progressive activism, this musical was famously banned from being performed on its opening night, drivingthecomposer, cast, and audience to march up Manhattan to another theatre whereit was performed as a "concert" to evadethegovernment and union mandates against it. Taking a strong stand against capitalism, cronyism, andthede facto oligarchy enabled by an elite, power-hungry, wealthy class,TheCradleWillRockremains a rallying populist cry forthepeople today.
Performances:
Feb. 20 at 8pm
Feb. 21 at 8pm
Feb. 22 at 8pm
Feb. 23 at 2pm
Location:FA 192 / Studio A
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
2/21-2/23/25 - Last Thing/ Outsiders - Deborah Stratman, USA,2023, 50 min.
Last Things looks at evolution and extinction from the perspective of the rocksand minerals that came before humanity and will outlast us. With scientists andthinkers like Lynn Margulis and Marcia Bjørnerud as guides and quoting from theproto-Sci-fi texts of J.H. Rosny, Deborah Stratman offers a stunning array ofimages, from microscopic forms to vast landscapes, and seeks a picture ofevolution without humans at the center.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas):Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (ñ): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College):Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University):Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
2/27—3/27/25 |M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
Opening reception Thursday, Feb 27, 4:30-6:00pm
History and Myth: Violence in Early Modern Prints
Japanese Design and the Arts and Crafts Movement in New York
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Lower Galleries| Free Admission
Opening reception: February 27, 2025, 5-7pm
Three small exhibitions: Chiura Obata: Japanese Art in America, curated by Yao Shen He ’27; History and Myth: Violence in Early Modern Prints, curated by Leah Dascoli ’26; and Japanese Design and the Arts and Crafts Movement in New York, curated by Joseph Leach, Curator of Collections and Exhibitions.
Organized by The New York Historical
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Main galleries | Free Admission
Opening reception: February 27, 2025, 5-7pm
The ñ Art Museum presents Monuments: Commemoration and Controversy,organized by The New York Historical, on view February 27 to June 14, 2025. The exhibition explores public monuments and their representations as points of debate over national identity, politics, and race. Monuments offers a historical foundation for understanding recent controversies, featuring fragments of a torn-down statue of King George III, a replica of a bulldozed monument by Harlem Renaissance sculptor Augusta Savage, and a maquette of New York City’s first public monument to a Black woman (Harriet Tubman), among other objects. The exhibition reveals how monument-making and monument-breaking have long shaped American life as public statues have been celebrated, attacked, protested, altered, and removed.
Monuments: Commemoration and Controversy is curated by Wendy Nālani E. Ikemoto, Vice President and Chief Curator at The New York Historical. The exhibition is supported by the Terra Foundation for American Art. Additional support is provided at ñ by the Office of the Provost, the Division of Diversity, Equity and Inclusion, the Harpur College Dean’s Office, the ñ Fund for Excellence, the Kaschak Institute for Social Justice for Women and Girls, and Rebecca Moshief and Harris Tilevitz ’78.
February 27–June 14, 2025
T-S Noon-4 p.m. | TR Noon-7 p.m.
Mezzanine Gallery| Free Admission
Opening reception: February 27, 2025, 5-7pm
Existential Color: Photography from the Permanent Collection, organized by John Tagg, SUNY Distinguished Professor of Art History and Luisa Casella, Photograph Conservator, Fellow of American Institute for Conservation. In 1976, John Szarkowski, Director of the Department of Photography at the Museum of Modern Art, New York, hailed the arrival of a “new generation of color photographers” who saw color as “existential,” “as though the world itself existed in color.” This “new generation” included William Eggleston, Stephen Shore and Joel Meyerowitz, whose work here prompts a wider re-examination of color in ñ Art Museum’s photographs collection. Within this exhibition, which features works made between the mid 1970s and the early 2000s, a display of historical processes dating back to the mid-nineteenth century shows that color was an integral part of photographic expression from its very beginnings. What viewers are asked is whether Szarkowski’s notion of a decisive break holds up, or whether the question of color and photography has to be seen from a much longer and broader historical perspective.
February 27th at 7pm in Lecture Hall 6
Josh Lewis is a filmmaker, artist, and educator working primarily with photochemical material. His moving image works are both formal and spiritual, exploring the persisting enigma of material potential and the boundaries of manual knowledge.He’s shown work at venues such as The Centre Pompidou, Anthology Film Archives, Microscope Gallery (NY), Eyebeam, Uniondocs, and at festivals such as The International Film Festival Rotterdam, Ann Arbor Film Festival, Chicago Underground Film Festival, and 25fps.In 2011, he foundedNEGATIVELANDin Ridgewood, NY— a continuously evolving project that operates as a 16mm and Super-8mm lab and as a moving image resource facility.
February 27th - 8pm
February 28th - 8pm
March 1st - 2pm and 8pm
March 2nd - 2pm
An adaptation from Shakespeare, As You Like It is a pastoral comedy that encompasses themes of love, gender, sexuality, and injustice while drawing a contrast between the innocence and serenity of the simple life and the misery and corruption of city.
Adapted by Lisa Rothe from the play by William Shakespeare, Directed by Lisa Rothe
Friday, February 28, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.graduate student writers.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
2/28-3/2/25
The Beast - Bertrand Bonello, France, 2023, 147 min.
The year is 2044: artificial intelligence controls allfacets of a stoic society as humans routinely “erase” their feelings. Hoping toeliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux)continually falls in love with different incarnations of Louis (George MacKay).Set first in Belle Époque-era Paris, Louis is a British man who woos her awayfrom a cold husband, then in early 21st Century Los Angeles, he is a disturbedAmerican bent on delivering violent “retribution.” Will the process allowGabrielle to fully connect with Louis in the present, or are the two doomed torepeat their previous fates? Visually audacious director Bertrand Bonello(Saint Laurent, Nocturama) fashions his most accomplished film to date: asci-fi epic, inspired by Henry James’ turn- of-the-century novella, The Beastin the Jungle, suffused with mounting dread and a haunting sense of mystery.Punctuated by a career-defining, three-role performance by Seydoux, The Beastpoignantly conveys humanity’s struggle against dissociative identity andemotionless existence.
February 27th - 8pm
February 28th - 8pm
March 1st - 2pm and 8pm
March 2nd - 2pm
An adaptation from Shakespeare, As You Like It is a pastoral comedy that encompasses themes of love, gender, sexuality, and injustice while drawing a contrast between the innocence and serenity of the simple life and the misery and corruption of city.
Adapted by Lisa Rothe from the play by William Shakespeare, Directed by Lisa Rothe
February 27th - 8pm
February 28th - 8pm
March 1st - 2pm and 8pm
March 2nd - 2pm
An adaptation from Shakespeare, As You Like It is a pastoral comedy that encompasses themes of love, gender, sexuality, and injustice while drawing a contrast between the innocence and serenity of the simple life and the misery and corruption of city.
Adapted by Lisa Rothe from the play by William Shakespeare, Directed by Lisa Rothe
February 27th - 8pm
February 28th - 8pm
March 1st - 2pm and 8pm
March 2nd - 2pm
An adaptation from Shakespeare, As You Like It is a pastoral comedy that encompasses themes of love, gender, sexuality, and injustice while drawing a contrast between the innocence and serenity of the simple life and the misery and corruption of city.
Adapted by Lisa Rothe from the play by William Shakespeare, Directed by Lisa Rothe
February 27th - 8pm
February 28th - 8pm
March 1st - 2pm and 8pm
March 2nd - 2pm
An adaptation from Shakespeare, As You Like It is a pastoral comedy that encompasses themes of love, gender, sexuality, and injustice while drawing a contrast between the innocence and serenity of the simple life and the misery and corruption of city.
Adapted by Lisa Rothe from the play by William Shakespeare, Directed by Lisa Rothe
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
2/28-3/2/25
The Beast - Bertrand Bonello, France, 2023, 147 min.
The year is 2044: artificial intelligence controls allfacets of a stoic society as humans routinely “erase” their feelings. Hoping toeliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux)continually falls in love with different incarnations of Louis (George MacKay).Set first in Belle Époque-era Paris, Louis is a British man who woos her awayfrom a cold husband, then in early 21st Century Los Angeles, he is a disturbedAmerican bent on delivering violent “retribution.” Will the process allowGabrielle to fully connect with Louis in the present, or are the two doomed torepeat their previous fates? Visually audacious director Bertrand Bonello(Saint Laurent, Nocturama) fashions his most accomplished film to date: asci-fi epic, inspired by Henry James’ turn- of-the-century novella, The Beastin the Jungle, suffused with mounting dread and a haunting sense of mystery.Punctuated by a career-defining, three-role performance by Seydoux, The Beastpoignantly conveys humanity’s struggle against dissociative identity andemotionless existence.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas):Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (ñ): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College):Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University):Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
Thursday, March 6, 6pm - 8pm
Old Champlain Hall, Atrium
Azareen Van der Vliet Oloomi is an American novelist and nonfiction writer. The author of Savage Tongues, Call Me Zebra, and Fra Keeler, Oloomi has received a Whiting Award and a National Book Foundation "5 Under 35" award and is the 2023-2024 Carl and Lily Pforzheimer Foundation Fiction Fellow at the Radcliffe Institute for Advanced Studies at Harvard University. Born in Los Angeles, she spent her childhood in Iran, the United Arab Emirates, and Spain, and she speaks Farsi, Italian, and Spanish. Oloomi is the Dorothy G. Griffin College Professor of English at the University of Notre Dame.
Wednesday, March 19, 6pm - 8pm
John Arthur Café, Fine Arts Building
Undergraduate poets are invited to share their writing during an open mic hosted by Professor Joe Weil.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/21-3/23/25 - Lawrence Abu Hamdan
Rubber Coated Steel (2016, 15 mins)
Walled Unwalled (2018, 20 mins)
The Whole Truth (2012, 32 mins)
Date: Saturday, March 22
Time: 1-3PM
BUAM Main Gallery
All events are free and open to the public.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/21-3/23/25 - Lawrence Abu Hamdan
Rubber Coated Steel (2016, 15 mins)
Walled Unwalled (2018, 20 mins)
The Whole Truth (2012, 32 mins)
Artist Talk - Zoe Dufor
Date:3/24 or 3/25
Time: 5-7PM
BUAM Main Gallery
All events are free and open to the public.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas):Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (ñ): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College):Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University):Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
Department of Art and Design Faculty Exhibition
2/27—3/27/25 |M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
Date:Thursday, March 27
Time: 5-7PMBUAM Main Gallery
All events are free and open to the public.
TRANSCORPOREALITY
MARCH 28 & 29, 2025
LINDSAY STUDY ROOM (FA 179)
KEYNOTE SPEAKER: ANDREW MOISEY, PhD
FACULTY SPEAKER: KATHERINE REINHART
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/28-3/30/25 - The Ascent, Karusa Shepitko, Soviet Union,1977, 109min.
Shepitko’s emotionally overwhelming final film won theGolden Bear at the 1977 Berlin Film Festival and has been hailed around theworld as the finest Soviet film of its decade. Set during World War II'sdarkest days, The Ascent follows the path of two peasant soldiers, cut off fromtheir troop, who trudge through the snowy backwoods of Belarus seeking refugeamong villagers. Their harrowing trek leads them on a journey of betrayal,heroism, and ultimate transcendence. Their harrowing trek leads them on ajourney of betrayal, heroism, and ultimate transcendence.
TRANSCORPOREALITY
MARCH 28 & 29, 2025
LINDSAY STUDY ROOM (FA 179)
KEYNOTE SPEAKER: ANDREW MOISEY, PhD
FACULTY SPEAKER: KATHERINE REINHART
Rhythm India: Bollywood & Beyond
Sunday, March 30, 2025
Osterhout Concert Theater | 3 p.m.
Box Office
Rhythm India takes you on a journey of dance and celebration through Bollywood and beyond. Experience the vibrant costumes, dynamic music and soulful rhythms of the “ghungroo” dancing bells–from the echoing heartbeats of royal palaces and sacred temples to the swaying voices of desert villages and modern stages. Created by World Choreography Award nominee & Telly Award -winning director & choreographer Joya Kazi, featuring the company dancers of Joya Kazi Unlimited as seen on screens from Bollywood to Hollywood.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/28-3/30/25 - The Ascent, Karusa Shepitko, Soviet Union,1977, 109min.
Shepitko’s emotionally overwhelming final film won theGolden Bear at the 1977 Berlin Film Festival and has been hailed around theworld as the finest Soviet film of its decade. Set during World War II'sdarkest days, The Ascent follows the path of two peasant soldiers, cut off fromtheir troop, who trudge through the snowy backwoods of Belarus seeking refugeamong villagers. Their harrowing trek leads them on a journey of betrayal,heroism, and ultimate transcendence. Their harrowing trek leads them on ajourney of betrayal, heroism, and ultimate transcendence.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
Wednesday, April 9, 6pm - 8pm
Old Champlain Hall, Atrium
In a special collaboration with the Human Rights Institute, the Creative Writing Program welcomes novelist, poet, essayist, playwright, and screenwriter Chris Abani. He is the author of the poetry collections Smoking the Bible and Sanctificum, the novels Song for Night and GraceLand, and the essay collection The Face, among many other books. His work has been translated into French, Italian, Spanish, German, Swedish, Romanian, Hebrew, Macedonian, Ukrainian, Portuguese, Dutch, Bosnian, and Serbian. Through his TED Talks and other public speaking, Abani is known as an international voice on humanitarianism, art, ethics, and our shared political responsibility.
April 10-24, 2025|M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
Opening reception Thursday, April 10, 4:30-6:00 p.m.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas):Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (ñ): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College):Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University):Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
April 10-24, 2025|M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
iLuminate
Thursday, April 24, 2025
Osterhout Concert Theater | 6 p.m.
From the moment the lights fade to darkness, you are transported into another world, another dimension, where the music moves you and the visuals are unlike anything you’ve ever seen. Welcome to iLuminate, named “Best New Act in America” by America’s Got Talent in 2011. A fantastic fusion of cutting edge technology and dance, iLuminate features a cast of the country’s top dancers performing to energetic music, including top pop and rock hits from the 1970s through the 1990s, a little jazz, a little Latin, a little hip-hop, and more. The dancers are outfitted with customized LED suits synced to iLuminate’s proprietary software to create extraordinary lighting effects with each of the phenomenally choreographed dance moves.
Friday, April 25, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
April 25 - 8pm
April 26 - 2pm and 8pm
May 2 - 8pm
May 4 - 2pm
Created through the teachings and research of Costa Rican choreographer Rogelio López. who has dedicated his career to movement and the investigation of it as a universal human expression. World-renowned López teams up with BU faculty and students to create an entirely new collaborative production.
Guest Director/Choreographer/Deviser Rogelio López with Neva Kenny and Elizabeth Mozer
April 25 - 8pm
April 26 - 2pm and 8pm
May 2 - 8pm
May 4 - 2pm
Created through the teachings and research of Costa Rican choreographer Rogelio López. who has dedicated his career to movement and the investigation of it as a universal human expression. World-renowned López teams up with BU faculty and students to create an entirely new collaborative production.
Guest Director/Choreographer/Deviser Rogelio López with Neva Kenny and Elizabeth Mozer
April 25 - 8pm
April 26 - 2pm and 8pm
May 2 - 8pm
May 4 - 2pm
Created through the teachings and research of Costa Rican choreographer Rogelio López. who has dedicated his career to movement and the investigation of it as a universal human expression. World-renowned López teams up with BU faculty and students to create an entirely new collaborative production.
Guest Director/Choreographer/Deviser Rogelio López with Neva Kenny and Elizabeth Mozer
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.